Tag: art cloth

Where Do We Go From Here?/The Spin

Where Do We Go From Here?/The Spin

Where Do We Go From Here?/The Spin, 26” x 18.5” by Mary Vaneecke, 2024. Hand-dyed, hand-stitched.

 

Where Do We Go From Here?/The Spin, detail. by Mary Vaneecke

My Where Do We Go From Here? series explores way-finding in a chaotic world.  I take Japanese shibori hand-dying techniques and reinterpret an old art form for contemporary times.  See this work while it is on tour at the Art Cloth Network travelling exhibition, ReVision.  It is layered hand-dyed silk fabrics with hand-stitching.

Where Do We Go From Here? IV

Where Do We Go From Here? IV

Red, yellow, and green artwork filled with small arrows. Arrows on the right side point to the right and arrows on the left side point left. The colors of the arrows are arranged to form large arrows pointing up. by Mary Vaneecke
Where Do We Go From Here? by Mary Vaneecke, 2024

In the Where Do We Go From Here? series, I explore way-finding in a complex and chaotic world.  This piece was inspired by the ancient Peruvian Wari textile below, and the American quilt block called ‘flying geese.’  I love to combine elements of old and new to create a new ‘species’ of textile art.

Peruvian Wari textile made 600-1000 AD. From the collection of the Tucson Museum of Art.

 

 

 

 

Where Do We Go From Here?/The Center Does Not Hold

Where Do We Go From Here?/The Center Does Not Hold

Where Do We Go From Here?/The Center Does Not Hold, 35'' x 26'', 2024 by Mary Vaneecke
Where Do We Go From Here?/The Center Does Not Hold, 35” x 26”, 2024 by Mary Vaneecke

A ‘deconstructed American flag,’ this work’s title references Yeats’ poem, The Second Coming.  It is layered hand-dyed silks, fused and hand-stitched. The Where Do We Go From Here? series explores way-finding in a chaotic world.

Where Do We Go From Here?/The Center Does Not Hold, detail. By Mary Vaneecke
Where Do We Go From Here?/The Center Does Not Hold, detail. By Mary Vaneecke

Unravelling the Case for Reparations

American and confederate flags, torn, interwoven, whitewashed, and emblazoned with the words: 'The past is never dead, it isn't even past.'
Unravelling the Case for Reparations, by Mary Vaneecke, 2020.

 

Unravelling the Case for Reparations, by Mary Vaneecke, detail.

I am thrilled to announce that this work will be part of the Smithsonian’s We Are the Story traveling exhibition.  Learn more about the exhibition, Curated by Carolyn Mazloomi, here.