
This piece is a small ‘quilted’ collage made from window screen, kozu and lace papers with digital and hand-printed images, layered and stitched. With cutouts and found objects.
TEXTILE & MIXED MEDIA WORKS
All works are shipped ready to hang. Satisfaction is guaranteed, with a full refund, less shipping costs, if returned within one week of receipt. For information on availability of existing works and current prices or to discuss site specific commissions for corporate, healthcare, public and/or residential interiors please contact the artist at mary@maryvaneecke.com.
Quilt for Change recently asked me to submit a piece for their Light, Hope, and Opportunity Challenge. The project raises awareness about the Solar Sisters program, where African women entrepreneurs are given loans to start their own businesses. They buy inexpensive rechargeable solar lights to sell in their communities. This means fewer costly and dangerous kerosene lanterns in African villages. What a great cause! The exhibition will start in Geneva next month, and hopefully travel to the US.
I have been thinking about burning the edges of a piece for a while, and this seemed like an excellent opportunity.
Here is my artist statement for the piece:
Lucina Lighting the Way
Lucina was the Roman goddess of light and childbirth: She who brings children into the light. Here, the pregnant goddess holds a golden orb. The lively color scheme and bright shapes evoke a hopeful spring. This quilt is a tribute to modern-day Lucinas, our Solar Sisters, who are bringing safe, affordable, solar-powered light to their friends and neighbors. The singed edges are a reminder of the dangers of kerosene lanterns, which maim and kill users across Africa each year. Hand-dyed, and printed linen, painted silk, layered and machine stitched. Techniques include cutwork with a burned-edge finish.
detail:
This piece features shibori-dyed silk fabrics, screen printed by hand with iridescent textile paints, layered and stitched with raw edge cutwork. The larger piece is layered over another smaller piece to make it 3-dimensional. In a private collection.
You can see an earlier version of Free Radical here. I inverted the composition to highlight the twice-dyed fabric. The dyes are called ‘pineapple’ and ‘melon’ and I almost called this piece ‘Fruit Salad,” but I refrained. I tried some new-for-me techniques: raw cut edges and using stencils and acrylic textile paint to put the shapes on fabric. I am especially intrigued by the cutwork and will continue to explore that. The piece is layered and stitched in the border only.
Hand-dyed, screen printed fabrics, layered and stitched. Mounted on stretch canvas. See videos of how this piece was stitched: Videos: How I Work.
73” x 45” Diptych. Hand-painted fabrics, layered and stitched. This piece may be hung vertically or horizontally. See it at my solo exhibition at Arts Marketplace, mid- August through September 29.
44” x 32” Diptych. Handpainted fabrics, layered and stitched. Stretched on wooden frames. Looks great hanging vertically or horizontally, offset or aligned. See it now at Flux Gallery.
32” x 38” Hand-painted fabric, layered and machine stitched. This is the first in the Samaras series, and has traveled around the country and to France as part of the Studio Art Quilt Associates’ Points of View exhibition. See it now at Flux Gallery in Plaza Palomino, Tucson.
58” x 42” Another from the series that explores surface design techniques and the S curve composition. Discharged fabrics, paint, foil, decorative stitching, layered and machine stitched. Copper embellishments by Patricia Healey.
28.5” x 32” I continue exploring the S curve composition with this horizontal piece. Discharged cotton fabrics, painted, with decorative stitching, foil, layered and stitched. Copper embellishments by Patricia Healey. See it now at Flux Gallery.
51” x 51” The wonderful copper ladybugs inspired this cheerful piece. Hand-painted fabrics, layered, trapunto, and machine stitched. Copper embellishments by Patricia Healey.