Category: Tone Poems

A symphonic poem or tone poem is a piece of orchestral music which evokes the content of a poem, short story, novel, painting, landscape, or other (non-musical) source. These are visual tone poems inspired by literary works.

New Work: Back to ‘Mending’

Posted on January 31, 2018May 2, 2023 by Mary Vaneecke

New Work: Back to ‘Mending’

Yet another new work inspired by Hazel Hall’s poem, “Mending.” Full text of the poem is here. Written about 100 years ago (Hall died in 1924), it is the gift that keeps on giving! Hall describes a mundane household chore as a subversive act, ‘a little travesty on life.’ It just seems to fit our zeitgeist, doesn’t it?

This piece combines several of the techniques I have used in the last year: layered sheers, cutting, burning, and visible mending. It feels radical to me, but still beautiful. Similar to Haiku III, but dimensional instead of fused flat. Best of all, I have ideas for several more pieces in this style.

Stay tuned.

Yes, I have been Mending III, 40'' x 30'' by Mary Vaneecke — *Yes, I have been Mending III,* 40” x 30” by Mary Vaneecke–in a private collection

*Yes, I have been Mending III* by Mary Vaneecke, detail.

Materials

Fabric, dyes, fusible web.

Techniques

Fusing, dyeing, burning, machine stitch, cut work.

photo credit: Jack Kulawik

Yes, I have been Mending II (A Little Travesty)

Posted on April 25, 2017May 2, 2023 by Mary Vaneecke

Hazel Hall’s poem ‘Mending’ reveals mending as a subversive act, an act of defiance, ‘a little travesty.’ Those who disagree with the current administration must put aside our shock and grief at the loss for what we thought America was, and fight for American ideals, to mend what is broken in this country.

Those who work in textiles have a long history of political activism. Like Betsy Ross. Or Madame Defarge. Watch Threads of Resistance for many political art quilts, or little travesties.

Yes, I have been Mending II, 32 x 33.5” 2017

The full text of the poem is here:

Mending

Hazel Hall

Here are old things:
Fraying edges,
Ravelling threads;
And here are scraps of new goods,
Needles and thread,
An expectant thimble,
A pair of silver-toothed scissors.
Thimble on a finger,
New thread through an eye;
Needle, do not linger,
Hurry as you ply.
If you ever would be through
Hurry, scurry, fly!
Here are patches,
Felled edges,
Darned threads,
Strengthening old utility,
Pending the coming of the new.
Yes, I have been mending …
But also,
I have been enacting
A little travesty on life.

Yes, I Have Been Mending

Posted on October 11, 2016September 3, 2018 by Mary Vaneecke

My latest art quilt, Yes, I Have Been Mending was inspired by 2 ideas. One is Hazel Hall’s poem, Mending. I recently discovered her poetry through Poets.org’s Poem-a-Day program. It is great to have a poem delivered to my in-box every day. I don’t always read it, but it is there! Hall used stitch imagery in several of her poems, so I was delighted to read her work.

The second idea that inspired me was the visible mending trend. It’s a lot like it sounds, but check out the link or Pinterest for some examples. ‘Yes, I Have Been Mending’ uses several gorgeous layers of hand-dyed silks, which I layered with eco-felt. And then I took an Exacto knife and sand paper to it to create holes. A bit of a travesty, but that is part of the poem! I then patched the red quilt with green thread and some more hand-dyed silks.

My favorite line in Mending is the last. The complete text of the poem is below:

Mending

Hazel Hall

'Yes, I Have Been Mending,' detail — ‘Yes, I Have Been Mending,’ detail

Haiku II

Posted on September 1, 2016May 2, 2023 by Mary Vaneecke

Haiku II is a visual interpretation of its namesake Japanese literary artform . Translucent silk fabrics were dyed using the Japanese shibori technique itajime, then layered with synthetic fabrics and machine stitched. Photography by Jack Kulawik.

But I could hardly name an art quilt Haiku and not write a poem for it, now could I? So here goes:

Haiku II

Take two images.

Separate and relate them.

It’s not so simple.

Winner of an Honorable Mention at the Studio Art Quilt Associates – Arizona Chapter 2017 exhibition, Exposures.

Haiku II, 2016 by Mary Vaneecke. 54.5'' x 41'' — Haiku II, 2016 by Mary Vaneecke. 54.5” x 41”

Haiku III

Posted on August 31, 2016May 2, 2023 by Mary Vaneecke

Haiku III

The silk remembers

The loom, the folds, the needle,

The thread, and the flame.

Shibori is a Japanese word for creating pattern on fabric. In the shibori process, many items can be used–folds, clamps, string, needle and thread. Haiku III is a visual interpretation of the poetic literary art form. Translucent silk fabrics were dyed using the itajime and machine-stitched Katano shibori. They were layered and machine stitched with burned raw edges. While the four complexly dyed fabrics relate to one another, each is beautiful in its own right. Photo by Jack Kulawik.

Haiku III, 2016 by Mary Vaneecke, 38'' x 46'' — Haiku III, 2016 by Mary Vaneecke, 38” x 46”

Haiku I

Posted on August 30, 2016September 3, 2018 by Mary Vaneecke

Haiku I became a study of sorts for a larger work (Haiku II) and launches a new series. Both feature hand-dyed sheer silk fabrics over-layed with synthetic sheers, and machine stitched. This allows for a fascinating interplay between colors, values, and repeating shapes. Haiku I is more intense, and reminds me of a Rorschach test, if you had double vision. The namesake poetry, and the dyeing technique, shibori, are both Japanese.

Of course, I had to write a haiku to celebrate this new series.

Haiku I

Two colors: red, black

Layered to affect the mood–

Simple yet complex.

A Mind of Winter

Posted on May 17, 2016October 11, 2018 by Mary Vaneecke

A Mind of Winter

This small art quilt (12” x 12”) is my submission for the Studio Art Quilt Associates auction, which starts online in September. All proceeds go to SAQA, which works to promote the art quilt. SAQA supports what I do, so I like to reciprocate!

The small work is made of layered, sheer fabrics, including hand-dyed silk organzas and lace scraps from a wedding dress, layered on felt and commercial cotton fabric and machine stitched. The title comes from a Wallace Stevens poem, The Snowman. I think about the opening line of the poem–One must have a mind of winter–often as temperatures get into the 100s here at home. I grew up in Michigan, where winters are long, and I wonder about the Nothing that is not there, and the nothing that is. Makes you stop and think, doesn’t it?

I am considering making a larger version, so perhaps I will call this Mind of Winter I.

A Mind of Winter small art quilt — “A Mind of Winter” 12” x 12” 2016.

Below is the complete text of the poem.

The Snowman

One must have a mind of winter

To regard the frost and the boughs

Of the pine-trees crusted with snow;

And have been cold a long time

To behold the junipers shagged with ice,

The spruces rough in the distant glitter

Of the January sun; and not to think

Of any misery in the sound of the wind,

In the sound of a few leaves,

Which is the sound of the land

Full of the same wind

That is blowing in the same bare place

For the listener, who listens in the snow,

And, nothing himself, beholds

Nothing that is not there and the nothing that is.