Tag: shibori

Where Do We Go From Here?/The Spin

Where Do We Go From Here?/The Spin

Where Do We Go From Here?/The Spin, 26” x 18.5” by Mary Vaneecke, 2024. Hand-dyed, hand-stitched.

 

Where Do We Go From Here?/The Spin, detail. by Mary Vaneecke

My Where Do We Go From Here? series explores way-finding in a chaotic world.  I take Japanese shibori hand-dying techniques and reinterpret an old art form for contemporary times.  See this work while it is on tour at the Art Cloth Network travelling exhibition, ReVision.  It is layered hand-dyed silk fabrics with hand-stitching.

Where Do We Go From Here? IV

Where Do We Go From Here? IV

Red, yellow, and green artwork filled with small arrows. Arrows on the right side point to the right and arrows on the left side point left. The colors of the arrows are arranged to form large arrows pointing up. by Mary Vaneecke
Where Do We Go From Here? by Mary Vaneecke, 2024

In the Where Do We Go From Here? series, I explore way-finding in a complex and chaotic world.  This piece was inspired by the ancient Peruvian Wari textile below, and the American quilt block called ‘flying geese.’  I love to combine elements of old and new to create a new ‘species’ of textile art.

Peruvian Wari textile made 600-1000 AD. From the collection of the Tucson Museum of Art.

 

 

 

 

Where Do We Go From Here?/The Center Does Not Hold

Where Do We Go From Here?/The Center Does Not Hold

Where Do We Go From Here?/The Center Does Not Hold, 35'' x 26'', 2024 by Mary Vaneecke
Where Do We Go From Here?/The Center Does Not Hold, 35” x 26”, 2024 by Mary Vaneecke

A ‘deconstructed American flag,’ this work’s title references Yeats’ poem, The Second Coming.  It is layered hand-dyed silks, fused and hand-stitched. The Where Do We Go From Here? series explores way-finding in a chaotic world.

Where Do We Go From Here?/The Center Does Not Hold, detail. By Mary Vaneecke
Where Do We Go From Here?/The Center Does Not Hold, detail. By Mary Vaneecke
Haiku III

Haiku III

 

Haiku III

The silk remembers

The loom, the folds, the needle,

The thread, and the flame.

Shibori is a Japanese word for creating pattern on fabric.  In the shibori process, many items can be used–folds, clamps, string, needle and thread.  Haiku III  is a visual interpretation of the poetic literary art form.  Translucent silk fabrics were dyed using the itajime and machine-stitched Katano shibori.  They were layered and machine stitched with burned raw edges. While the four complexly dyed fabrics relate to one another, each is beautiful in its own right.  Photo by Jack Kulawik.

Haiku III, 2016 by Mary Vaneecke, 38'' x 46''
Haiku III, 2016 by Mary Vaneecke, 38” x 46”
Haiku III by Mary Vaneecke (detail)
Haiku III by Mary Vaneecke (detail)
Haiku I

Haiku I

 Haiku I became a study of sorts for a larger work (Haiku II) and launches a new series.  Both feature hand-dyed sheer silk fabrics over-layed with synthetic sheers, and machine stitched.  This allows for a fascinating interplay between colors, values, and repeating shapes.  Haiku I is more intense, and reminds me of a Rorschach test, if you had double vision.  The namesake poetry, and the dyeing technique, shibori, are both Japanese.

Haiku I by Mary Vaneecke, 2016. 29.5'' x 22''
Haiku I by Mary Vaneecke, 2016. 29.5” x 22”

Of course, I had to write a haiku to celebrate this new series.

Haiku I

Two colors: red, black

Layered to affect the mood–

Simple yet complex.

 

Another good day to dye…

Another good day to dye…

So I have been in the dye studio for a few days and have some pieces to share. These are all various forms of shibori, the Japanese word for putting pattern on fabric by applying pressure with dye.  Most of these are silk fabrics, procion dyes are used on each.

Itajime circles under a chevron.
Itajime shibori circles under a chevron pattern.

 

Itajime with circles and 2 dye colors.
Itajime with circles and 2 dye colors.

 

This sekka shibori with blueberry and raspberry dye is making me hungry!
This sekka shibori with blueberry and raspberry dye is making me hungry!

 

More itajime, this time with zig zag stripes and navy and red dyes.
More itajime, this time with zig zag stripes and navy and red dyes. This fabric was dyed, discharged and over-dyed.  This method brings out a lot of subtle complexity in the final product.  

Admittedly, this chevron piece is kinda ugly. But I have learned that this is merely an opportunity to throw it into another dye bath or discharge it to get something spectacular. Stay tuned.

Now comes one of my favorite parts of the art-making process:  auditioning fabrics to put them all together….