Category: Instincts and Intuition Blog–(click on the photo below for the full post)

Musings by a subversive stitcher…. As I am a self-taught artist, you will not get a lot of academic theory or art history here, just me, trying to explain myself. Or at least ask good questions.

A Mind of Winter

A Mind of Winter

A Mind of Winter

This small art quilt (12” x 12”) is my submission for the Studio Art Quilt Associates auction, which starts online in September.  All proceeds go to SAQA, which works to promote the art quilt.  SAQA supports what I do, so I like to reciprocate!

The small work is made of layered, sheer fabrics, including hand-dyed silk organzas and lace scraps from a wedding dress, layered on felt and commercial cotton fabric and machine stitched. The title comes from a Wallace Stevens poem, The Snowman.  I think about the opening line of the poem–One must have a mind of winter–often as temperatures get into the 100s here at home.  I grew up in Michigan, where winters are long, and I wonder about the Nothing that is not there, and the nothing that is.  Makes you stop and think, doesn’t it?

I am considering making a larger version, so perhaps I will call this Mind of Winter I.

A Mind of Winter small art quilt
“A Mind of Winter” 12” x 12” 2016.

Below is the complete text of the poem.

The Snowman

One must have a mind of winter
To regard the frost and the boughs
Of the pine-trees crusted with snow;
And have been cold a long time
To behold the junipers shagged with ice,
The spruces rough in the distant glitter
Of the January sun; and not to think
Of any misery in the sound of the wind,
In the sound of a few leaves,
Which is the sound of the land
Full of the same wind
That is blowing in the same bare place
For the listener, who listens in the snow,
And, nothing himself, beholds
Nothing that is not there and the nothing that is.

When Your Quilt Travels to Australia without You

 

When Your Quilt Travels to Australia without You….

So my quilt Chopsticks and Edamame has been travelling the world without me since it was accepted into Studio Art Quilt Associates Food for Thought show.  It was in Dublin and the UK last fall, and is spending the spring at 3 venues in Australia.  This morning my email inbox contained some photos of a spectacular venue, the Australasian Quilt Convention in Melbourne (yeah, I didn’t know there was such a thing, either).

But look at the natural light coming through the windows here:

The 2016 Australasian Quiilt Festival venue for SAQA's Food for Thought exhibition.
The 2016 Australasian Quilt Festival venue for SAQA’s Food for Thought exhibition.

My quilt is in the center of the top photo below.  Unfortunately, the black background didn’t do much for it, I am afraid.

food for thought in Australia food for thought Australia 3

Chopsticks and Edamame will be in Michigan at the Gerald Ford Presidential Library this summer, and I am excited to be able to check it out there.  I will have my posse with me.  It is not often that my parents get to see my work, so that will be cool.

Dining Destinations:  Chopsticks and Edamame, 2014, 45'' x 35''
Chopsticks and Edamame, 2014, 45” x 35”
Another good day to dye…

Another good day to dye…

So I have been in the dye studio for a few days and have some pieces to share. These are all various forms of shibori, the Japanese word for putting pattern on fabric by applying pressure with dye.  Most of these are silk fabrics, procion dyes are used on each.

Itajime circles under a chevron.
Itajime shibori circles under a chevron pattern.

 

Itajime with circles and 2 dye colors.
Itajime with circles and 2 dye colors.

 

This sekka shibori with blueberry and raspberry dye is making me hungry!
This sekka shibori with blueberry and raspberry dye is making me hungry!

 

More itajime, this time with zig zag stripes and navy and red dyes.
More itajime, this time with zig zag stripes and navy and red dyes. This fabric was dyed, discharged and over-dyed.  This method brings out a lot of subtle complexity in the final product.  

Admittedly, this chevron piece is kinda ugly. But I have learned that this is merely an opportunity to throw it into another dye bath or discharge it to get something spectacular. Stay tuned.

Now comes one of my favorite parts of the art-making process:  auditioning fabrics to put them all together….

Poisoning Flint

'Poisoning Flint' is made of hand-dyed, rust dyed silk organza, felted wool, stitch, and a drinking glass.
‘Poisoning Flint’ is made of hand-dyed, rust dyed silk organza, felted wool, stitch, and a drinking glass.  The piece is 4.5” x 18” x 4.5”.  It was a part of the Surface Design Association’s Transgressing Traditions exhibition at the Schweinfurth Art Center in 2016.  ‘Poisoning Flint’ will travel with the Studio Art Quilt Associates H2Oh! show through 2019.  

Cas Holmes Tea Party

Cas Holmes Tea Party

So this weekend I spent a delightful couple of days with mixed media artist Cas Holmes and seven other artists to learn her techniques altering the surfaces of paper and fabric with color, collage, and stitch.

Cas invited us to submit at small piece (mine was about 5” by 3”) for her Tea Flora Tales installation at Visions Gallery in San Diego this spring.  Tea Flora Tales is comprised of many of these small works suspended from the ceiling.  Click here for a short video of the installation at the 20th European Patchwork Meeting. 

Cas is fearless in her use of found papers and materials.  Used tea bags,  old magazine papers, and flour sacks are just a few of the ephemera that can be found in her work.  I am sure to incorporate some of these techniques into future work.

If you are going to San Diego, look for my submission :

Celebrating Tucson at the Cas Holmes Tea Flora Party.  Made from Joss paper, tulle, lace and stitch.
Celebrating Tucson at the Cas Holmes Tea Flora Party. Made from Joss paper, tulle, lace and stitch.

Join Me and my Fiber Artists of Southern Arizona Friends

TMA_SpringArtisansMarket_mailer_frontFiber Artists of Southern Arizona will have our first-ever booth at the Tucson Museum of Art’s Spring Artisans Market on Friday-Saturday-Sunday, March 18-19-20. We will have lots of new fine fiber art and crafts available, including note cards, rugs, oven mits, hand-dyed clothing, as well as fine fiber art! Be sure to stop at Booth 109 to say ‘hello.’

FASA is: Barbara Hall, Patricia Hasting-Sargent, Joanne Krawchuk, Sharon Nemirov, Ruth Sharpe, Aimee Smythe, Peggie Thomas, Mary Vaneecke, Kathryn Wild, and Janet Windsor. Hope to see you there!

Ready for the Quilt Show!

Ready for the Quilt Show!

Yay!  It’s finally quilt show time!  The Tucson Quilters’ Guild Quilt Fiesta will be held this weekend, Friday February 19-Sunday February 21.  I will have lots of new goodies in my booth (with Trish Hastings-Sargent), including my latest 3-D work, Dark Desert Skies.  

Dark Desert Skies, 2016, 30.5'' x 41''  Bleached, overdyed shot cotton with paint and 3-D elements, layered and stitched.
Dark Desert Skies, 2016, 30.5” x 41” Bleached, overdyed shot cotton with paint and 3-D elements, layered and stitched.

I will also be selling fabric and embellishment kits for projects from my book, Wild and Wonderful 3-D Quilts.  

I will be selling my book, along with the great jungle fabric used to make a leafy 3-D quilt.
I will be selling my book, along with the great jungle fabric used to make a leafy 3-D quilt.

Aaaand, last but not least, some hand-dyed vintage table linens I have been having lots of fun with….

44'' hand-dyed Karimatsu round tablecloth.
44” hand-dyed Karimatsu round tablecloth.

Stop by booth #22 and see what’s new!

 

 

 

Going to The Show

My friend Lea McComas and I have been planning all year to take our books to Houston for the International Quilt Festival.  It is the biggest quilt show in the world, with about 60,000 attendees.  My quilt It’s a Jungle Out There will be in Houston as part of the Studio Art Quilt Associates’ Wild Fabrications show.  Check us out at BOOTH 2014 if you are going to the show.  We’ll be selling our books, and fabric kits.

Now, back to packing….

A Wild Winter Whirlwind

A Wild Winter Whirlwind

Wild and WonderfulIt has been a busy winter in the studio and a lot has happened since Wild and Wonderful 3-D Quilts debuted at Houston Quilt Festival last fall.

  • For starters, Brewer Sewing is now distributing the book to quilt shops.  Ask for it at your local quilt shop.
  • Individuals can buy the book from me at Amazon.com for the full $14.99 sticker price. (click here for more information)  I want to support local quilt shops and won’t undercut their prices online.
  • The National Quilting Association’s Quilting Quarterly will publish its book review this spring.
  • I hope to bring my 3-D quilting classes online later this summer. Stay tuned for details.
  • My friend Lea McComas and I are making plans to promote our books  at Houston Quilt Festival again this year.  It’s a Jungle Out There will be touring with the Studio Art Quilt Associates Wild Fabrications show, and Houston will be the first stop on the tour.
  • The National Quilting Association’s Quilting Quarterly will review my book in its next issue.  How cool is that?

Last but not least, I am going to the Chicago Quilt Festival this month to demonstrate my techniques at the free Open Studios booths on Thursday, March 26, and Saturday, March 28. Superior Threads will be selling Wild and Wonderful 3-D Quilts at the show, along with all their gorgeous threads.

Will I see you there?

Going to the Chicago Quilt Show…

Going to the Chicago Quilt Show…

I am delighted to be a part of the International Quilt Festival in Chicago next month.  I will be demonstrating techniques from my book Wild and Wonderful 3-D Quilts on Thursday and Saturday, March 26  and 28 as part of the Open Studios events.

Framed! I
Framed! I

It’s going to be great fun, and in between, I get to see my sister and wish my dad happy 85th birthday!  I just hope it warms up about 70* before then….

NEW: Shibori Salon Workshop Series

NEW: Shibori Salon Workshop Series

Please join me for my new workshop series.  I will open a second session on Tuesday afternoons if the Thursday sessions fill.  The Supply List is below.

shibori salon

Shibori Salon Supply List

Shibori is the Japanese word for using pressure (created by folding, stitching, clamping, or binding) to create patterns with dye on fabric or paper.  This is a survey course in Shibori with Procion dyes.  I will provide dye solutions in a variety of colors at each session, along with dye recipes and info on the dye process.  In later sessions, I will also provide a thiox discharge bath.  You will make several small fabric samples for future reference or for use in your work.

Required supplies (bring to each session):

A selection of silk, cotton, linen, and/or lightweight rayon  fabrics up to ½ yard pieces to start (you can work larger on a couple of pieces later if you wish).  Boring or ugly commercial fabrics and batiks may be good candidates for the kind of work we will be doing.  Bleached muslin or PFD fabric is fine, but you can also take fabrics out of your stash.  New or used clothing (whole or cut up) will work, but keep the pieces small to start.  You don’t need to ‘scour’ your fabrics in advance, but you can if you wish (blasphemy, I know).

Clamps (small C clamps or hardware clamps)

A large handful of rubber bands of various sizes

Hand sewing needle with a fairly large eye (I will provide thread)

Clamps (small C clamps or hardware clamps; many different kinds will work.)

Bamboo chopsticks (several clean pairs)

A large handful of rubber bands in various sizes

A handful of coins or small balls in different sizes

2-3 pairs of knee-hi stockings or panty hose.  Patterned is fine if that is what you have.

Ziplock bags (at least 5 in the one-gallon size, and 5 in the smaller size)

Dishpan

Several small and medium plastic containers with or without lids

Dishwashing gloves or medical gloves

Blue Dawn dishwashing detergent (you will need this at home to washout your samples)

ball of cotton or hemp twine or string, any weight

Please plan to wear old clothes and/or a smock, sturdy shoes, and a hand towel to use a a drip rag. 

If you wish to track your processes (i.e., dye color, manipulation, etc.) for each sample you make, bring a Sharpie pen and notebook to mark your fabrics and write your notes, or sew Tyvek strips to your fabrics and note the changes on the Tyvek.

Optional supplies (please bring these if you have them available):

18’’ (approximate) length of PVC pipe (3-6’’ in diameter)

5′ of 1″ polyester rope

Matching pairs of square, rectangular, or round plastic or wooden shapes

If you want to try dyeing paper, bring sheets of Abaca paper (brand name:  Tissuetex, available online at www.meinketoy.com and other online shops.  This paper will not disintegrate in the dye solution or washout.  You are welcome to bring other papers for experimenting.  Test first for durability!)

**Pair of heavy duty rubber gloves

**Pair of silk glove liners (available at outdoor/hiking stores)

**Respirator  (link is here: http://www.prochemicalanddye.com/product.php?productid=17358&cat=342&page=1)

**You MUST bring these items if you wish to dishcharge fabrics yourself.  Otherwise, I will handle your fabrics for discharging.

Email me with questions at mary@maryvaneecke.com.

 

Quilt Fiesta is here!

Quilt Fiesta is here!  As usual, I have been busy in the dye studio getting ready to stock my booth for the big show.  I look forward to this weekend all year.  It’s a chance to see my quilt ‘people’ and hang out at our booth with my friend Trish Hastings-Sargent.  Here are a few of the items that will be available at the the show….As always, I have some new styles and color combinations this year.  Hope to see you at the show!

Some new Shibori Chic scarves will be on offer...prices range from $30-$40.
Some new Shibori Chic scarves will be on offer…prices range from $30-$40.
Love the way this long sleeved T came out of the final dyebath....  It's one of a kind and $45
Love the way this long sleeved T came out of the final dyebath…. It’s one of a kind and $45.
This new twist-front shirt looks great with a scarf.
This new twist-front shirt looks great with a scarf.  $70 if you buy both ($30 for the scarf, $45 for the shirt)

 

A gorgeous one-of-a-kind rust, green, and gold turtleneck.  $45
A gorgeous one-of-a-kind rust, green, and gold turtleneck. $45
This $40 T has been through 3 dyebaths, and looks great with a beautiful, soft rayon knit infinity scarf ($45).
This $40 T has been through 3 dyebaths, and looks great with a beautiful, soft rayon knit infinity scarf ($45).
Pastel peach shirt $(45) and elegant drapey infinity scarf ($45).
Pastel peach shirt $(45) and elegant drapey infinity scarf ($45).

 

And of course, I will be selling my new book, Wild and Wonderful 3-D Quilts, too.
And of course, I will be selling my new book, Wild and Wonderful 3-D Quilts, too.

You are Invited to Chaos, Controlled: The Fiber Arts of Mary Vaneecke

maryvaneecke post card invit frontmaryvaneecke post card (1)Chaos Controlled:  The Fiber Arts of Mary Vaneecke features many new and small works as well as my shibori chic scarves and clothing.  Please come to the opening reception Saturday, January 10 from 7-9 pm.  I will give an artist talk on Saturday, January 31st at 2 pm.

Art House Centro Gallery is in Old Town Artisans, 201 N. Court Ave. (next to the Tucson Museum of Art).

Hope to see you there.  Here is a sneak peek of the hanging yesterday.  I love the small shibori ‘monoprint landscapes’ I just completed for the show (center).

chaos controlled hanging resized

 

 

 

 

Coin Toss

Coin Toss

This quilt is inspired by the wonderful fabrics (a shot cotton in burnt orange, and a navy New Aged Muslin by Marcus Brothers) and the traditional quilt pattern Chinese Coins.  A link to a 1940s Amish version is here.  I call it Coin Toss, and every time I think of the name, I want to ask, What’s the most you ever lost on a coin toss? 

The use of negative space and plain fabrics just begs for fabulous quilting, and I tried to keep the tension of the perilously stacked coins going with the navy-on-navy background quilting.

Coin Toss, 2014, 44'' x 27''
Coin Toss, 2014, 44” x 27”
Coin Toss, detail
Coin Toss, detail

Missing Whidbey Island….

This was my view one sunny morning.  Coupeville on Penn Cove of Whidbey Island is a beautiful place.
This was my view one sunny morning last year. Coupeville on Penn Cove of Whidbey Island is a beautiful place.

So this is what I am missing this week:  5 days of dyeing fabric with the fabulous Elin Noble on beautiful Whidbey Island.  There is just too much on my plate (and maybe not enough in my wallet) right now to justify the time and expense:  Wild and Wonderful 3-D Quilts is about to be published, another book with Jane Dunnewold on dyeing is in the works, Quilt Market in Houston is less than 2 weeks away, Christmas and show quilts are due to customers, etc., etc., etc. (as the King of Siam might say).

But this photo will be my screensaver this week, ’cause a girl can dream, can’t she?  Serenity now…

What I did on my summer ‘vacation’

What I did on my summer ‘vacation’

Yeah, I know, I have not posted much here lately.  I was travelling.  And writing a book.  And working my fingers madly to the bone to finish some work for upcoming shows.

Book? You ask.  Yep.  When my 3-D monkey quilt was accepted in Quilt Festival at Houston this year, I realized that up 50,000 people are going to see that sucker.  And it was the most fun I have ever had making a quilt.  You know how you try something on a piece, but you are not sure it’s going to work?  And then you see, once it’s done, that it doesn’t work, and you have to try something to fix it?  That didn’t happen with this quilt.  It was one long, fun process from start to finish.  The quilt just makes me smile.  I wanted to share that with my quilting students.

I’d been toying with the idea of writing a book.  My friend Lea McComas was in the process of writing her thread painting book.   I decided to jump in with her and go for it.  We will be taking our respective tomes to Houston Market and Festival.  My Wild and Wonderful 3-D Quilts is in the final editing stage and will go to the graphic designer, my friend Janet Windsor soon.  More on that later.

For now, I leave you with some detail shots of 2 pieces that I recently finished.  For now, back to the quilt pile.

Weaving Traditions, detail
Weaving Traditions, detail
New Wave, detail
New Wave, detail

 

New Legacies Opening Reception, Friday, July 11, 5-7 pm

I am honored to be a part of this exhibition, curated by Carol Shinn, who does wonderful thread paintings.  I will be at the International Folk Art Festival in Santa Fe this weekend, and will miss the opening at the Lincoln Center Art Gallery in Fort Collins, CO.  Don’t you hate it when you can be in two places at once?

New Legacies 2014 at the Lincoln Center Art Gallery in Fort Collins, CO
New Legacies 2014 at the Lincoln Center Art Gallery in Fort Collins, CO

 

My piece, Off the Wall II, will be a part of the exhibition through August, so check it out if you are in Colorado.  It will be the first time it is seen publicly outside of Tucson.

Off the Wall II, detail
Off the Wall II, detail

 

 

The Blob: A Studio Horror Story

The Blob:  A Studio Horror Story

So yesterday, I was stitching away like mad on my Bernina, back and forth, preparing a large piece of fabric for some shibori patterning.  All of the sudden, Bernie (that is what I call her) slows to a halt.  I can’t seem to rotate the flywheel at all to take a stitch.  I wonder what gives.  This is not like Bernie to stop working all of the sudden.

Then I realize that while I was stitching like mad, the spool of thread I had been using to wind bobbins must have caught the wheel.  All that thread was winding onto and jamming up the machine.  In both directions I might add, not in just one.  How much thread, you ask?  This much thread:

The Blob, 2014 edition.
The Blob, 2014 edition.

It was a tedious 2+hours trying to remove it all.  See the skinny scissors?  There is a hand felting needle right next to it.  Those were the only 2 instruments I could find to slip between the machine and the flywheel to get at the thread.  There is still a few strands left, but Bernie is moving freely again.

Argh.

Inquiring Minds Want to Know, and the Rest of the Story

Hmmmmm.  Just got an email that my quilt Off the Wall I is being returned to me today.  The day it was supposed to hang in National Quilting Association’s annual show. I checked my tracking number and FedEx says it was delivered during the required time period.

I requested via an email the reason for the return.  This should be interesting.  The show is not juried.  It accepts the first XXX number of quilts submitted.  I entered for the exposure of my 3D work.  I am wondering if it has anything to do with the 3D qualities of the piece.  Perhaps the cutouts were a factor.  Is it just too radical for the NQA quilt show, despite the fact that they published an article about it in their own quilting magazine???????

Of course, there is always the possibility that it was damaged in shipping.  I sure hope that is not the case.

I will keep you posted.  Meanwhile, I will try not to grind my teeth.

UPDATE:  Turns out the ‘rejection’ was a communication error.  Everyone whose quilts were to be returned via FedEx got the same email, that they were ‘shipped on May 23,’ the opening day of the show.  I feel sorry for the poor quilt show managers.  They must have gotten earfuls from people who thought there was something wrong with the quilts.  

…and they lived happily ever after.

 

'Off the Wall', 2012, 39.5'' x 26'' x 6''
‘Off the Wall’, 2012, 39.5” x 26” x 6”